After several really tough and gut wrenching hours of reading and viewing everyone's entries (multiple times) we have decided that the HP Magic Giveaway prize should be awarded to user BIGANDLIDDY. Here is her story: I have taught High School Business classes for almost eighteen years now. My school has a diverse population and more almost three-quarters of them are eligible for free or reduced lunch. We can’t afford to keep up with the technology that our students need to be exposed to. Many of my students do not have access to technology at home. When I heard about HP’s Magic Giveaway, I was so excited because I felt this would help my students in such a major way. Imagine $6,000 in HP technology for my classroom. I know I certainly could use a new computer. This summer I plan to take some online courses to get my graduate degree in Special Education. With so many of our students mainstreamed into the regular education classes I feel that furthering my education won’t just help me but help the students that need the most help. Of course I could also use the computer to create interactive and exciting lesson plans. I would share my computer with my husband who recently lost his job. He is an individual who is listed as a statistic in the mass layoffs you’ve been reading about in the paper. What some people forget is that every statistic is a person first and foremost. He would be able to use the computer to research job openings and compose cover letters and resumes that will hopefully get him re-employed. My youngest son is now in the Army and getting ready to leave for Iraq. Over the past several years I’ve had students leave for the same destination. It is for this reason I have been involved with the Adopt a Soldier Program. We send a goody box to soldiers once a month as well as cards and letters. I would love to gift him with one of the computers so he can keep in touch with friends and family. I consider myself a compassionate person. I’m involved with projects like “Adopt a Soldier” and “Adopt a Family for the Holidays.” Even though money is tight I know that I have things that matter like time and special talents which are appreciated by people in need. Thank you again for having this great giveaway.
Monday, December 15, 2008
Sunday, December 14, 2008
HP Magic Giveaway Update
Due to the large number of entries the announcement of the winner will
occur later this evening. Thank you for your patience.
"Always be gracious to your enemies. Nothing infuriates them more." -
Oscar Wilde
Carlos Echenique
Site Owner/Editor-in-Chief/Blogger
PlanetAMD64/PlanetX64/Echenique dot com
Saturday, December 6, 2008
Otterbox 3G Defender case for the iPhone 3G
The Apple iPhone has the distinction of being one of the most sought after gadgets of that last two years. My wife and I caved in this October and got ourselves a pair. With features and functions that suit the needs of an incredibly diverse audience, the svelte, smooth iPhone is the current go-to gadget on the market. Protecting this technological marvel has become a bit of
an industry with scores of holsters, skins, and hard cases available at your local Apple Store. For those folks who crave the iPhone but often find themselves in harsh environments, the designers at Otterbox have come to the rescue. The Otterbox 3G Defender case for iPhone is not so much a case as it is a suit of armor for your iPhone 3G. Think of it as Tony Stark's iPhone case (his would be red and gold however).
The Otterbox 3G Defender is a double shell protective case that allows the iPhone to easily survive in environments that would normally be fatal and warranty-voiding. The 3G Defender uses a hard polycarbonate inner shell with covers for the earpiece, microphone, and speakers. The inner shell also integrates a cover for the iPhone's touchscreen. If you already have a touchscreen "skin" installed, I am happy to report that the double layer of protection does not impede the screen's operation in any way. The hard inner shell is then covered by a silicone skin that adds grippy-ness and protects against bumps and shocks. It also provide silicone covers to all of the iPhones switches and access ports, sealing out dust and moisture.
 |  |  |
Monday, December 1, 2008
Nikon D3x Officially Unveiled
NIKON UNVEILS A DIGITAL MASTERPIECE: THE D3X DIGITAL SLR
With Extreme 24.5-Megapixel Resolution, Processed Image Files Exceeding 138 MB, Five Frame-per-Second Burst Speed and Nikon
Core Technologies, the D3X Ushers in a New Level of Image Quality
MELVILLE, N.Y. (Nov. 30, 2008) – Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.
The foundation of the enhanced performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine covers, billboards or gallery prints, the large 5.49-micron pixel size and high signal to noise ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are approximately 138 MB, the D3X offers today's photographic artists an extreme level of performance and versatility ready for demanding assignments in the studio or on location.
“In 2007, the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke photographic barriers, enabling photographers to work in ways never before possible,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “Now, the new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range capabilities needed to meet the extraordinary needs of photographic disciplines such as high fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while fitting seamlessly within the Nikon system, taking full advantage of Nikon’s world-renowned collection of NIKKOR lenses and Speedlights.”
Image Quality Takes Center Stage
To re-emphasize the importance of image quality above all else, the D3X delivers an incredible level of digital SLR performance to provide photographers with extremely high resolution, exceptional dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed formats, and recorded to UDMA compatible CompactFlash™ cards for optimum speed. Photographers can save image files directly to the dual card slots as overflow, backup, or as separate file formats to different cards. Building on the D3X's flexibility, users have the creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to seven frames per second can be achieved at a resolution of 10.5 megapixels.
The exceptionally low noise of the D3X is essential to any professional commercial application, and it provides photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth, natural skin tones and exacting detail that, before the D3X, required larger and far costlier studio-bound camera systems.
Advanced Technologies, Meticulously Executed
In a commercial setting or on location, imaging professionals need high performance in both speed and processing. The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode, allowing photographers to catch the split-second difference in a model’s expression or capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a mere 0.12 seconds and a shutter release time lag of 0.04 seconds.
The D3X’s speed, as well as high levels of performance, leverages Nikon core technologies including a newly enhanced EXPEED™ Image Processing System, specially designed for the D3X to provide superior image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. What’s more, Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.
The D3X also features Nikon’s exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations. This results in flattering portraits and awe-inspiring landscapes that portray accurate color and fine details. Nikon's exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system's sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Prior to shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto mode.
Additionally, the D3X features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus right on a subject’s eyes, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.
To further ensure each photographer's ability to balance their personal style, Nikon’s Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative control over these image parameters with the use of up to nine available customizable presets.
Synchronizing Both Form and Function
Engineered for real-world functionality, the D3X retains a rugged shell with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to exceed 300,000 cycles for maximum durability and longevity. The camera’s body also maintains the resilient magnesium alloy construction and form factor of the D3, promoting consistent Nikon system synergy.
A bright and accurate viewfinder offers 100 percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 3.0-inch super density LCD screen, now relied upon by so many photographers. The high-resolution 920,000-dot screen is viewable at wide angles up to 170 degrees, and will allow photographers to quickly zoom in to confirm critical focus. Users can also output the video signal to an external display via HDMI to allow client viewing. Thanks to incredibly efficient internal circuitry, the D3X can capture up to 4400* shots per single charge of the camera’s Lithium ion battery.
System Strength Withstands the Test of Time
The D3X is fully compatible with Nikon’s Creative Lighting System (CLS) to give photographers a mobile lighting solution that is easy to manage. To further enhance mobility, the D3X is compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and date of shooting. Photographers can easily shoot tethered via USB, or use the WT-4a wireless transmitter to send images wirelessly when speed and mobility are essential. D3X users will also enjoy the system strength of more than 50 genuine NIKKOR lenses that provide outstanding sharpness and high resolution across a broad range of focal lengths.
Price and Availability
The Nikon D3X will be available at Nikon Authorized Professional Dealers starting December 2008, and will be available for an estimated selling price of $7999.95.**
*Based on CIPA Standards
**Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.
About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated its 75th anniversary of NIKKOR optics and announced the production of over 45 million NIKKOR SLR interchangeable lenses. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities.
Sunday, November 30, 2008
Nikon D3x Leak Further Blurs the Lines
When Nikon introduced it's flagship D3 many (including myself) wondered when the other shoe was going to drop. Historically, 
Nikon would introduce a pro body at a resolution that was comparable to other devices in the class and later bring out an "X" model that ups the ante without having to introduce a whole new model level (most notably the D1 -> D1x, then the D2 -> D2x). In this case the "H" variant has been merged into the base model with the introduction of a DX-crop mode that raises the shooting rate at the expense of image size. So with the introduction of the D3 last year (August 23, 2007 to be exact) everyone started the countdown to the inevitable release of a "X" model and the photoblogosphere (my term) was rampant with speculation as to the specs of expected model.
Rumor sites, like Nikonrumors.com, were expecting announcements on Dec 1, 2008 and had been seeing hints here and there popping up on closely monitored Nikon websites around the world. Oddly enough, confirmation arrived in Nikon's own Nikon Pro magazine which included a multi-page article covering the features of the up-till-now rumored camera.
From Nikon Pro Magazine (courtesy of Nikonrumors.com):
The X factor
Ultra-high definition 24.5-megapixel flagship takes DSLR into medium-format terrain
The professional SLR world has been transformed in just 12 months by the introduction of no less than four new Nikon pro SLR bodies. First we saw the D3 and D300. Then there was the D700. Now, with the launch of the D3x, Nikon offers more FX format pro cameras than any other manufacturer. At 24.5MP, the D3x has the highest resolution seen in a Nikon SLR to date.
The new camera shares all of the D3’s features, including Live View (making it the world’s highest resolution SLR with viewscreen shooting); the 51-point MultiCAM3500FX autofocus system; Scene Recognition System; Expeed 16-bit processing; 3-inch high-resolution 922.000-dot viewing screen; and the tough, weather-resistant magnesium body.
The D3x was designed with medium format photographic applications in mind. The ISO range covers 100-1600 with a Lo1 (equivalent to ISO 50) as well as boost settings up to the equivalent of ISO 6400.
But it’s also fast. The D3x can record its high-resolution 24.5MP files at up to 5fps. As with the D3, it has two alternative crop modes: 5:4 and DX In DX crop mode the camera captures 10MP files at up to 7fps.
The MultiCAM3500FX AF system is the same as the D3, and has the largest number of individually selectable focus points available, making this a very effective system for isolating fine details in the scene. The widely acclaimed Autofocus Tracking capabilities are, as you would expect, the same as the D3.
Pixel numbers alone do not guarantee good quality pictures. The D3x Expeed image-processing system is custom-designed to render this detail with levels of tonal gradation never before seen in a DSLR. Its 75MB files are ideally suited for stock photography and extremely high levels of enlargement.
And being a Nikon SLR, its body is much faster, intuitive to handle and ergonomically advanced than heavy and complex medium-format systems.
You’ll have guessed by now that the D3x is aimed at photographers whose work requires the ultimate in detail and output quality Where skin tones, fabric textures, crisp edges, and foliage are paramount - in the fashion, commercial and landscape area - the D3x excels.
Beyond the confines of the studio lighting environment, the onboard exposure metenng and AWB systems make the D3x equally at home in less controlled lighting situations where the aim is to capture the atmosphere of ambient lighting.
FEATURES
THE SENSOR
The D3x has an exclusive 35.9 x 24mm (FX format) 24.5MP image sensor with unique OLPF (optical low pas filter) and high-speed channel readout. ISO range covers the equivalent of 50-6400.
IN FOCUS
The widely acclaimed speed and accuracy of the MultiCAM3500 AF system with 51-AF points. Individual selection assumes a new importance in combination with the high resolution: it’s easy to isolate and focus on small details in the scene.
SPEED AND RESPONSE
At full 24.5MP resolution, the D3x shoots at 5fps, 7fps is possible in DX Crop mode. The camera is as responsive as the superfast D3. 12ms start up with a shutter release lag time of just 41 ms (CIPA standard). It writes files to the dual CF slots at about 35MB per second.
IMAGE PROCESSING
The D3x’s 16-bit EXPEED engine is specially tuned to deliver detail-rich, colourful files with low levels of noise and high detail. It is also tuned to minimise the effects of colour fringing with older F-mount Nikkor lenses, and to minimise the effect of unnatural-looking (digital) noise patterns. Vignette (peripheral fall-off) can also be controlled for creative effect.
ACTIVE D-LIGHTING
The D3x features a new Extra High Active D-Lighting setting, designed to better manage extremely high-contrast scenes, especially tonal gradation in highlights.
SCENE RECOGNITION SYSTEM
Information from the 1005-pixel RGB sensor with diffraction grating is used to recognise the subject position and colour prior to capture. The results are then used by autofocus, auto exposure and auto white balance.
LIVE VIEW
The D3x is the highest resolution digital SLR yet to offer Live View. Allowing photographers to compose and shoot via the 3in monitor instead of the viewfinder brings a variety of practical advantages both in the studio and on location. Two modes are offered: Handheld and Tripod. Contrast-detect autofocus is available in Tripod mode.
MONITOR
3-inch wide-angle (170deg) rear viewing screen, with 922,000 dots, is ultra-high definition, and proven to exhibit extraordinary levels of damage resistance.
THE INTERFACES
USB 2.0 downloads images off the camera fast when tethered, and flexibly when connected with the WT-4 wireless transmitter. With both HDMI and AV/Out ports GPS data can be captured into the EXIF as before. The new, compact Nikon GP-1 GPS unit can also be attached via the 10-pin terminal and mounted in the hotshoe, or clip on the camera strap.
POWER MANAGEMENT
The D3x uses the same high performance lithium-ion battery (EN-EL4a) as the D3. Thanks to efficiencies in the camera’s onboard EXPEED image-processing system, battery performance is comparable with the D3.
THE BODY
Extremely durable magnesium construction with economically optimised and weather-sealed buttons, dials and LCD displays. Extensive use of high-grade rubber grips means the body is comfortable to handle for long periods of time, and in a wide range of temperatures.
So here we have the 4th 35mm camera maker (Canon, Sony and Leica being the other three) to push the top-end of their product lines into the medium format space. Is this claim justified? That remains to be seen, but lets look at the data we do know.
| Feature | Medium Format Digital | Nikon D3x |
| Image Size | 20-60 megapixels | 24.5 megapixels |
| Bit Depth | 16 bits per channel | Unclear. The article states that the Expeed processor works in 16-bits but whether this means 16-bit color or 16-bit instruction words remains to be seen. |
| ISO Range | 100-800 (typical) | 50-6400 |
| Frame rate | 1.2s/frame - 1.1fps | 5 (FX mode) - 7 (DX crop mode) fps |
| Weather Sealing | No | Yes |
| Dynamic Range | 12 Stops | Untested, but DXOMark testing of the rest of the current crop of Nikon Pro bodies (D3, D300, & D700) rate them at 12+ stops of DR so it is expected that the D3x will meet or exceed this. |
| Lens Crop Factor | 1-1.3x (varies by model of digital back - but are all 645 format and much larger than 35mm) | 1.0x (FX Format sensor - 35mm) |
| Anti-Aliasing (AA) Filter | No | Unclear. The article mentions that the sensor has a unique OLPF (Optical Low Pass Filter). |
| GPS Unit | Yes (Hasselblad) | Yes (Nikon GP-1 GPS Unit) |
| Modular system | Yes | No |
| Live Mode | Yes | Yes |
| Display | 2.5-3" 230,000 pixel display | 3" 922,000 pixel display |
| Price (Starter Kit) | $14,999 (Mamiya DL28) $17,995 (Hasselblad H3D-II 31) | Unannounced. Rumored to be under $8000 USD - body only. |
Friday, October 31, 2008
Best of PhotoPlus Expo 2008 - Part 2
RedRock Micro:
The folks at RedRock Micro have a neat idea on their hands: create a frame that turns a HD video capable DSLR into a full fledged cinema camera. Kits are priced between $1,995 - $2,445 and are available on their website. Here you have ingenuity at its finest. An utterly brilliant idea: completely modular design that allows for flexible configurations to meet the customer's needs. Works with both the Canon 5D Mk II and the Nikon D90.
RPG Keys:
Here is a niche product that has potential: an accelerator control pad for Lightroom 2. Basically this keyboard has all of the sortcuts and controls in Lightroom 2 mapped onto individual keys, thus greatly reducing the hand contortions one has to commit in order to activate a control. This is especially important in busy studio environments that have to cull and process thousands of photos from any particular shoot.
The RPGKeys come in two sizes: the original full-sized version and the new, wireless MiniRPG. Both are show in the photo to the left. Both products are extremely well made and able to withstand thousands of keystrokes. They can be purchased at the manufacturer's website.
Sigma:
Sigma was present showing off their latest and greatest including their recently announced Sigma DP2 compact camera. Similar to the DP1 in sensor size and technology, the DP2 sports faster, slightly longer fixed lens than the DP1 (24.4mm f/2.8 vs. 16.6mm f/4). Also present was every lens in the Sigma arsenal including the monstrous APO 200-500mm F2.8/400-1000mm EX DG which has an MSRP of $34,000 USD! This lens is so big that not only does it sport its own mounting system, it even has its own motors and power supply. And you thought Leica lenses were expensive...
Tamron:
Tamron showed their newly released AF18-270mm F/3.5-6.3 Di II VC (Vibration Compensation) LD Aspherical (IF) Macro and their previously unreleased SP AF10-24mm F/3.5-4.5 Di-II LD Aspherical [IF] - two excellent alternative lenses for Canon, Nikon, Sony and Pentax. I was able to take a test shot with both lenses and both seem to have been good samples. The 10-24 was a prototype though and reported itself as a 5mm lens to my D300. Nothing major though. Please note that as these are Di-II lenses, they are designed for DX sized sensors (so they are not going to work properly with full frame sensors - Canon 5D Mk I & II, Canon 1Ds Mk II & III, Nikon D3, D3x, & D700).
Think Tank:
Camera bag maker extraordinaire, Think Tank Photo had its entire line of photographic transport units (my term) on display. Prominent was their Airport Roller line - a set of three rollaboard bags that meet international travel standards. Also shown was an unreleased backpack called The Shapeshifter, an intriguing convertible bag that can carry camera equipment or be converted to regular luggage duties.
Well, that about does it for this year's PhotoPlus Expo. I will be publishing further in depth articles covering some the equipment shown here as well as many others. My complete PhotoPlus gallery can be found here.
Monday, October 27, 2008
Best of PhotoPlus Expo 2008 - Part 1
After the initial sweep of Day One, Days Two & Three afforded me the opportunity to calmly peruse the smaller booths to see what gems I could uncover. Here are some of the highlights:
Animoto: Animoto is a web product that converts your images into a professional video slideshow complete with music. Free accounts are available but are restricted to making 30 second clips. Professional and Business accounts are available for a fee and allow the creation of longer clips and downloadable DVD quality video.
I was able to create the clip below with images that I uploaded to my Flickr account. Many other online galleries are supported or you can upload images directly to Animoto. Animoto offers a large library of music to use as soundtracks or you can upload your own. The software on their site then analyzes the video and the music and creates a professional looking slideshow in minutes. The video can then be emailed, embedded, downloaded, posted to YouTube, mailed to your iPhone or (for a fee) upgraded to hi-res for DVD playback. Very slick. I plan on using this a lot. Click on the "Get Animoto" link to the right and get a $5 discount on an All Access Pass (normally $30/yr).
Arca Swiss: Makers of view cameras used by legendary photographers like Ansel Adams, Arca Swiss was on hand demonstrating their R-series technical cameras. Arca Swiss also makes ballheads and mounting clamp systems for view cameras. High quality stuff.
Interestingly enough, the R3 (pictured above) is really just a high precision metal plate with a gearing system that allows the photographer to tilt/shift the camera’s lens to correct for distortion. The R3 can mount any medium format film or digital back and is a scale focused rangefinder.
Bibble: Eric and his team from Bibble Labs were on hand demonstrating the as yet unreleased Bibble 5. Bibble started out as a very fast RAW file converter, but with version 5 adds more speed (up to 40x faster than version 4 – and version 4 was the fastest converter on the market already), digital asset management, and a host of adjustment tools. Based on my own workflows, I will rarely have to leave B5 to produce finished images. Even more amazing is the level of multi-threading. Eric demonstrated B5 running on a 16-core machine, submitting a batch of 116 images for conversion and completing the job in a shade over 19 seconds. Unbelievable.
BRNO: Jim over at BRNO LLC always hated to have to carry around a gray card, white balancing gadget or have to hunt down something or someone wearing white at his photo shoots. One day he forgot his white balance card at a wedding where the bride wore red. It was while he was in the midst of preparation for seppuku when he hit upon the idea of combining a white balancing device with a lens cap. Thus the baLens (pronounced "bah-lenz") was born. Seriously, this is one ingenious idea. Just keep the lens cap on, point your camera at the light source, snap a pic and DING! you have a proper custom white balance shot. Unlike similar products, the baLens replaces your existing lens cap a thus does not become an extra widget to have to drag around. The white bit in the center is replaceable and there are warm and neutral versions included with each baLens. Jim expects the baLens to become available around early December. HP Marketing will be distributing in the States, Amplis Foto in Canada, and Etsumi Co. Ltd. in Japan. The product will be retailed by the usual suspects: B&H, Adorama, Calumet, Samy's and other specialty stores.
Canon Printing Systems: Canon had their ImagePROGRAF printers on hand and they were truly a site to behold. Ranging from the diminutive iPF5100 (17" wide) to the monstrous iPF9100 (60" wide), Canon ImagePROGRAF printers operate using a 12-ink system (Cyan, Photo Cyan, Magenta, Photo Magenta, Yellow, Black, Matte Black, Red, Green. Blue, Gray, Photo Gray) including regular and Matte black inks with auto-switching between the two. Like other printers in this class, Canon's Lucia inks are rated at over 200 years of lightfastness. Prices start around $1995 USD for the iPF5100. The iPF5100's ink tanks are 130ml each which is good because the whole set costs around $840 USD.
Needless to say these are large format printers so don't expect to be printing 4x6 snapshots on them. The iPF5100 is actually capable of printing 17" wide by 59 feet! That's one hell of a panorama.
Dymo: King of the label printer, Dymo was present to show off it's DiscPainter. This is a dedicated USB inkjet printer for printable CD's and DVD's. The DiscPainter uses RadialPrint Technology, imaging the disc label on the spinning disc from the hub out. Remember SpinArt? This is the same thing except it's computer controlled. It's very fast, imaging a whole disc in a couple of minutes.
The unit uses a single tricolor ink cartridge so when you run out of one color you have to replace the whole thing. The DiscPainter is PC/Mac compatible and can print on matte, glossy and silver printable discs.
Gary Fong: Mr. Fong is a specialist in diffusion. He makes various inexpensive gadgets for you to strap on to your flashes is order to soften their effect and cut out harsh shadows and "red eye". "Red eye" is caused when a high speed electronic flash is fired close to the focal axis of the lens and directly in the face of the subject who is standing in dim light. The dim light causes the subject's pupils to dilate and the flash's extremely short duration (as little as 1/20,000th of a second) and high intensity light is then reflect off the retinas. This is the source of the "red eye" effect in humans ("green eye" effect in animals). By diffusing the light and softening it, Gary Fong's devices help eliminate this. They also remove the harsh shadows and color draining effects of direct flash.
The device shown in the photo is The Puffer. This retails for under $20 and works with any built-in pop up flash unit. While it does greatly reduce the effective distance of this flash, it transforms the nearly useless built-in flash into a light source eminently suitable for parties and intimate occasions where a larger flash gun would be awkward to manipulate. You can purchase these and other flash diffusers from Gary Fong's website and from dealers like Ritz and Wolf Camera.
Hasselblad: Founded in 1948 by Victor Hasselblad, the camera that bears his name is one of the most prestigious names in photography. A long time champion of medium format cameras, Hasselblad has kept pace with the digital revolution and is currently on its 4th generation digital medium format camera.
Unlike other players in this market, Hasselblad has opted for a systemic approach to digital medium format with its H-System. The H3D-II cameras are only capable of accepting Hasselblad made lenses, viewfinders, adaptors, accessories, teleconverters, and digital backs. While this practically eliminates third-party lenses and components, it does allow Hasselblad to tightly control the integration of all of the parts that make up this system. Think of them as the Apple of medium format.
One new component added to the mix is the HTS 1.5 Tilt/Shift Adaptor. Tilt/Shift lenses are not a new idea. Practically every major camera manufacturer has two or three models in their harem of lenses. The problem lies in the focal plane shutter mechanism used by those cameras. The tilt/shift mechanism must, by design, physically separate the front half of the lens from rear half. This decoupling of the halves of the lens prevents the use of autofocus motors. Hasselblad, by electing to use a central shutter mechanism (where the shutter is housed in the lens along with the electronically controlled aperture and autofocus motors), Hasselblad's HTS 1.5 adaptor allows the use of up to 5 different lenses as tilt/shift lenses and the transmission of control signals to the lens' aperture and shutter via pass-through contacts and still retain autofocus capabilities. Look for a future review of this camera system.
Hoodman: Hoodman manufactures accessories for digital cameras including right-angle viewfinder adapters (shown), memory cards, and viewing loupes. This last product is an interesting departure from their original product: a popup shade for digital SLR LCD screens. Hoodman has discarded this design in favor of the hooded loupe they now make. I personally use a Delkin PopUp Shade on the rear LCD of my D300 and I am quite pleased with it. In defense of the hooded loupe approach, Hoodman's version can magnify the image up to 3x without zooming on the cameras' display. Many photographers prefer the hooded loupe approach, I myself don’t need more things hanging off of my neck.
M-Rock Camera Bags: Newcomer on the camera bag scene is M-Rock. Stylishly designed and affordable, M-Rock bags securely carry your gear and look good doing it too. Bags range for tiny belt pouches for your point-and-shoot camera all the way up to ergonomic rolling backpacks capable of carrying up to two pro DSLR bodies and a stash of lenses + gear.
That's the end of Part One. Part Two will be up shortly.
Friday, October 24, 2008
PhotoPlus Expo 2008 – Day One
The PhotoPlus Expo opened today in New York City. Hot on the heels of Photokina 2008, PDN’s PhotoPlus Expo brings new cameras, lenses and other goodies introduced in Germany a couple of weeks ago. Greeting visitors at the entrance was Nikon’s rather large booth.
Featuring a complete collection of Nikon’s cameras
and lenses, visitors were allowed to mount and test any one they wanted even on their own cameras.
The Coolpix section featured every model currently available including the P6000 top end point and shoot model. This model features RAW capture and built-in GPS for easy geo-tagging of images.
Also present was a display sampling a cross-section 
of bling-bling add ons available for the Coolpix lines. This is a prime example of the ubiquity of point and shoot cameras as they have achieved a critical mass that is able to support this kind of secondary market.
Asking around the Nikon booth for any news on the rumored MX platform get me a lot of shifty looks and expressions of discomfort (PR people love to talk incessantly about their products. Restricting them from doing so causes them to go against their basic nature.), leading me to believe there is more than rumor working here.
Moving over to the Mamiya booth, I got a chance to play with their recently announced DL28 camera system. This system is actually a Mamiya AFD III medium format camera body, a Mamiya 80mm prime lens, and a Leaf Aptus II-6 28 megapixel digital back. The really innovative part of this system is it’s price: $14,999 USD which is a new low for this class of photographic equipment. One of the Mamiya reps told me that at this price point, Mamiya is giving you the camera for free and the digital back at a 33% discount.
Another slick feature of the Leaf back used in the 
DL28 system is the ability to display images wirelessly on an Apple iPhone. The camera has to be tethered to a computer running Leaf Capture software in order to transmit the images wirelessly.
One of the technologies being considered by Mamiya is the use of Wireless USB in the future to allow wireless tethered operation. This, of course, will require the widespread adoption of Wireless USB in order to work, so that’s still a couple of years off.
The Epson booth had all of their pro printers on display ranging from the highly affordable R1900 to the immense R11880. The R3800 is the only member of the family that has not been upgraded to the Extreme HDR inkset (the one with Vivid Magenta), but I have been told that you can’t really notice the difference. The R3800 is still the only printer in the Pro line that auto-switches between matte and photo blacks.
The R4880 was on display right next to the R3800 and 
the size difference is staggering. If you buy one of these beasts, make sure you buy the stand or get yourself a really large, sturdy table. As mentioned before the R4880 has to be manually switched between matte and photo black inks.
Over at the Olympus booth, the Micro Four Thirds prototype was on display under glass in all it’s retro glory. I’m guessing we’ll see more announcements at PMA 2009
Also on display are all of Olympus’ current offering 
including the miniscule E-420. When mated with the 25mm pancake lens, the whole SLR can fit in a pocket.
Leica had the S2 System on display. For a prototype, it was extremely well made. It is also big. Considering that this is a medium format-ish system this is to be expected. The lenses are spectacular looking to say the least. Since I was not allowed to take any test images yet, they remain a mystery. One big question 
about this system that has not been answered is price. Leica has not stated the price and will not until it is closer to launch (probably in or around PMA 2009).
Adobe was drawing in large crowds with the release of Creative Suite 4 (CS4). CS4 is a significant move on Adobe’s part as it migrates them to 64-bit (at least on Windows Vista). The first professional group to take advantage of the 64-bit platform was digital content creation – 3D artists, modellers and animators. The second group is digital photographers. With systems like the Mamiya DL28 (which produces 50 MB RAW files), and the Hasselblad H3DII-31 (sporting 40MB RAW files), both of which are starter systems and list for less than $18,000, digital photographers will need access to large amounts of RAM and the enhanced processing power of 64-bit systems.
Well, that about wraps it up for Day One. Stay tuned for coverage of Day Two.
Tuesday, October 21, 2008
Mamiya Announces New MF Digital Camera System
Elmsford, NY – In medium format digital photography, price and performance are usually at opposite 
ends of the digital spectrum. Normally you have to pay more – a lot more – for better quality, performance and features, certainly for the latest technology. The new Mamiya DL28 Digital Camera System totally changes that way of thinking.
The Mamiya DL28 Digital Camera System offers professional features and benefits found in much more expensive cameras. For example, even though the DL28’s resolution is an impressive 28 Megapixels, its large sensor allows a pixel size of 7.2 microns, producing images with unmatched richness and color accuracy, low noise, and striking highlight and shadow detail. Its 3.5-inch (diagonal) screen is the largest in the industry and offers a bright, high-contrast touch screen that is ideal for outdoor or indoor work.
The DL28 marries the professionally proven Mamiya camera system to the innovative 28 megapixel Aptus-II 6 Digital Back from Leaf - a system capable of unrivaled performance, image quality and value. The 645AFD III body has a new coreless motor for faster, more accurate autofocusing and an enhanced interface system that provides total communication between the camera, lens and digital back. The 645AFD III and Leaf Aptus-II 6 Digital Back work as an integral unit so you’ll never miss the action.
With 16-bit capture, 12 stop dynamic range and an ISO range of 50-800, the Mamiya DL28 is a full featured professional digital solution that allows photographers to focus on creating the image and not worrying about the technology. The 28 MP back provides raw files of 53Mb, and 16 bit TIFF files in excess of 159 Mb – ensuring that you’ll have the information needed for virtually any size reproduction.
Compact flash media storage makes it easy to shoot untethered on location or in the studio. You can also use the included firewire cable and Leaf Capture 11.2 software to shoot directly to your computer. And the latest Leaf Capture software allows other people - in the field or in the studio - to view your creativity on their iPhones as you continue shooting!
The Mamiya DL28 will be available November 2008. MAP price is $14,999.
This is very good news indeed. With this announcement, Mamiya & Leaf bring the capabilities of MF Digital closer to the realm of the affordable. To date, Hasselblad has made similar announcements with the H3D-II kit for $17,995. Hopefully, this is an indicator of things to come.
Friday, October 17, 2008
Lenovo ThinkPad W700 in der haus!
A Fedex truck pulled up this morning bearing the (almost) fully loaded ThinkPad W700 laptop promised to me by the fine folks at Lenovo. Quick Impressions * Huge. The unit hides a 17" 1920x1200 display, Wacom pad, the standard ThinkPad Touchpad/Nipple Mouse combo, thumbprint reader, built-in colorimeter, stereo speakers, stereo microphones, and webcam with space left over for whatever stickers you want to place there. * Plain Jane. Compared to offerings from HP and Toshiba, the Lenovo ThinkPad's Bauhaus matte black design is conservative in the extreme. * Fast. With an Extreme Core2 Duo processor, 4GB of RAM, Vista Ultimate x64, and two fast Hitachi drives in a RAID-0, the unit flies. How fast it flies is yet to be determined, but Vista rates the system at 5.6. * Battery Hog. Short of packing an onboard nuclear power supply, don't expect amazing battery life from this desktop replacement. Stay tuned, more reports to come as well as pictures.
Sunday, October 12, 2008
Meeting up with Leica at PhotoPlus
Thanks to the Leica New York Metro Area Meetup group, I was able to get invited to a
session with Leica at the PhotoPlus Expo in New York City. Leica will have the M8.2 and S2 available to try out. I will be taking extra memory cards to take some test images. Whether or not I will be able to post them online is another matter entirely.
The M8.2 is an update to the M8 Classic incorporating several features requested by die-hard M users. Quieter shutter, recocking delay, sapphire glass on the LCD, black paint finish, AutoISO, and a host of others. The M8.2 is available for pre-order from various authorized Leica dealers for $6,295 USD.
The S2 is an all-new system with a larger than 35mm sensor (it actually sits between a 35mm frame and a 645 frame at 37.5 megapixels) and boasts a set of new lenses expected to outperform anything else on the market. The S2 is expected to ship Spring 2009 and pricing has not yet been set.
Monday, September 22, 2008
Leica Unveils S2 Medium Format-ish DSLR
After a triple whammy of camera announcements last week, Leica AG dropped the proverbial bomb at Photokina 2008. Dr. Kaufmann unveiled their latest creation: the Leica S2 Professional 
Digital SLR. This beast not only propels Leica into the world of Autofocusing Digital SLRs (which they were sorely deficient in for years), but also places them in a brand new market for them: Medium Format.
Long the stronghold of the likes of Hasselblad, Mamiya, Sinar, Rollei and Bronica, Leica charges at the gate with a camera that sports a 45x35mm sensor (vs. the 36x24mm sensor in a full frame DSLR vs. 60x45mm sensor in a full frame MFDB - Phase P65+ back) with a resolution of 37 megapixels. Remember, these are big, fat medium format pixels oozing with with dynamic range. The body itself is sits between the Canon 5D and 1DsMkIII in size and way smaller than the likes of anything offered by the Medium Format guys.
One other change is that this camera will be distributed, sold and serviced through Phase One's network of dealers. While this might miff the current Leica dealers, the camera's internals were designed in cooperation with Phase One so it makes sense that they would distribute, sell and support it.
Prices for the body and 70mm f/2.5 lens is rumored to be around $18,000USD. Expected availability is Summer 2009.
UPDATE: Here is the Leica - Phase One Press Release
LEICA CAMERA AG AND PHASE ONE CONCLUDE STRATEGIC ALLIANCE
Leica Camera AG and Phase One A/S have agreed to enter into a long-term strategic alliance. Both companies are in mutual agreement on the terms of close future cooperation in the technical development and marketing of premium products for the professional photography segment. The objective is to offer photographers innovative high-end solutions that guarantee the greatest possible creative freedom and set standards in terms of performance, quality and technological maturity. Close cooperation has also been decided upon for the expansion of effective service and marketing structures.
The CEO of Leica Camera AG, Dr Andreas Kaufmann, welcomes the collaboration with Phase One: 'Our two companies are an outstanding match for each other due to the similarity of their corporate cultures, their extraordinary innovative strengths and their dedication to absolute quality. We complement each other very well, particularly in the marketing segment. This will enable Leica to establish a strong and sustainable position at the leading edge of the professional segment. Together with Phase One we will soon be able to begin offering professional customers a new range of products and services.'
In addition to digital backs for medium format and view cameras, Phase One, the world's leading manufacturer of camera systems for the professional segment, also offers industrialgrade software and image processing solutions specially designed to meet the most demanding requirements of professional photographers. According to the CEO of Phase One A/S, Henrik Håkonsson: 'Thanks to first class internal development and technological alliances, Phase One maintains its leadership in the provision of software and image processing solutions for the professional segment. As a consequence of this strategic alliance with Leica, Phase One now has access to the vast optical expertise of the market's quality leader and we can improve our product offerings to the world’s best photographers.
Leica Camera AG in Solms offers precision optical products of uncompromising quality and mechanical precision for the industrial and private high-end segments. The Leica range embraces a broad spectrum of cameras and precision optical products for analogue and digital photography, projectors and a range of binoculars, spotting scopes and rangefinders for field observation. Thanks to systematic investment in the manufacture of aspherical optical elements, Leica possesses vast expertise in the manufacturing, the optical calculation, the measuring and testing technology, as well as in the construction of lenses and the assembly of aspherical lens systems. Further information about Leica Camera AG and its products can be found at www.leica-camera.com.
UPDATE 2: Official Press Release from Leica on the S-System
A new dimension for professionals
LEICA S2 – Radical new digital SLR camera system from Leica
Responding to the commercial needs of professional photographers, Leica Camera AG in Solms will introduce the Leica S2 at photokina in Cologne (23rd-28th September 2008), a new digital Leica SLR camera system for professional photographers. A new system concept has been developed, entitled “Made in Solms”. For this camera concept, renowned professional photographers have been involved in all parts of the development process. The outcome is a system designed specifically to deliver the fastest, high end resolution work, requiring the minimum of post production. Excellent news for commercial photographers seeking to exceed demanding client expectations in a working time which allows improved income for their talents.
Designed from scratch the new German made camera is ground breaking, as unlike most other pro digital systems, it does not use a conventional medium format or 35mm platform. The LEICA S2 has a sensor size that exceeds the 35 mm format and incorporates many of the advantages of professional systems. The new 37 mega pixels CCD sensor with a breathtaking image resolution will produce images at the top of the professional game for a number of years. In particular, the lenses set new performance benchmarks enabling the sensor to overdeliver per pixel. The pixels are distributed on a sensor 56% larger than full size 35mm.
The compact design and handy metal body is smaller than those of comparative products from different manufacturers. Ergonomic and a pleasure to use, the camera is set to become a professional photographer´s favourite. The camera´s bespoke sensor has enabled the Leica designers to produce the smallest camera in its class.
It´s super modern new and innovative processing technology is twice as quick. The Leica “MAESTRO” image processor developed with Fujitsu specifically for the LEICA S2, allows the camera´s lenses, firmware and sensor to function at their optimum. It produces market leading processing time and the highest level of picture quality with minimal energy output. It enables picture quality and super quick transfer time with minimal energy output.
In spite of the sensor size, the extremely compact body is fully protected against dust and splashes. For this class of camera, the LEICA S2 has a particularly precise and quick autofocus system that makes focusing easier. The large, bright viewfinder makes picture composition easy. Taking many pictures in quick succession is also possible, and there is a high sensitivity setting to use when lighting is problematic.
New lenses designed specially to suit the demands of this format offer unrivalled imaging quality and set new benchmarks for the camera market as a whole. Thus the LEICA S2 lens system meets the needs of professional photographers. The optic calculation incorporates all the factors and requirements of digital technology, meaning that software to correct image artifacts becomes superfluous.
The constant high image quality is present right into the corners of the images, from close up to infinity. Even at wide apertures, maximal contrast, high resolution and detailed colour reproduction are guaranteed. The between-the-lens shutters in some of the system lenses enable lightning fast synchronisation for the quickest possible exposure time. The quick and precise autofocus of the Leica S lenses can be adjusted manually at any time. Like the camera, the lenses are made from metal and come with a weatherproof seal. The lenses are thus particularly robust and protected from dust and dampness.
The LEICA S2 is particularly easy to handle and choosing the settings is pretty much intuitive. Ergonomically designed, the body sits comfortably in the hand whether in vertical or horizontal position. The bright, high-resolution display with quick zoom-in function enables exposures to be seen perfectly even in daylight. The camera concept can be integrated seamlessly into the professional digital workflow.
With Dr. Andreas Kaufmann as its main shareholder, Leica Camera AG is entering a new era. Following in-depth and successful re-structuring, the business can now concentrate on investing in new products. Leica has made a quantum leap in the field of digital technology, enabling it to combine the advantages of highly developed digital technology with the classic Leica values concerning optics, mechanics and optimal image results. The result of this is uncompromising cutting-edge technology; the LEICA S2 is the first to offer all these things to professional digital photographers. The LEICA S system sets the trend for future Leica products in terms of technology and leads the way for future product ideas from Leica Camera AG.
Preliminary Analysis
Based on available information, the S-System is a bold move by Leica. Always considered a Premium Brand, Leica needed to chart new territory in order to keep itself fresh and a market leader. Entry into the DSLR arena would have placed Leica at a disadvantage against market heavyweights Canon and Nikon (and they would have to duke it out with Sony who recently introduced a full frame 35mm DSLR). By jumping to medium format, a blossoming area in digital photography where equipment costs are much higher than the more pedestrian 35mm format, Leica stood poised to bring their expertise to bare on a market hampered by large camera systems and slow image acquisition speeds. Add to this their Bauhaus style ergonomic designs, dust and weather seals, high performance optics designed for the sensor (taking a page from the Four Thirds manual it seems) and teaming up with a leader in the development of medium format sensors and software, Phase One, all adds up to a tremendous market opportunity for Leica. What remains to be seen is whether professional photographers and rental houses will go for it.
The official Leica S-System site is located at http://www.s.leica-camera.com
Olympus Unveils Prototype Micro-4/3 Camera
Olympus Imaging Corporation (President: Masaharu Okubo) today announced that it has begun development of an interchangeable
lens type digital camera based on the "Micro Four Thirds System."
Development of the camera will bring dramatic reductions in size and weight to the Olympus E-System, and will comply with the new Micro Four Thirds System standard jointly announced with Matsushita Industrial Co., Ltd.(Panasonic) on August 5. From September 23 through 28, a concept mock-up of the camera will be exhibited at "Photokina 2008", the world's biggest 
trade fair for the photographic and imaging industries held at Köln Messe, Cologne, Germany.
The global market for interchangeable lens type digital cameras is growing steadily, but still only accounts for a 7% share of the total digital camera market. Considering the much larger share held by interchangeable lens type digital cameras
when film was the dominant imaging medium, it seems that there is still ample room for sales growth in this category. Market surveys, however, indicate that more than a few customers choose compact models because they find digital SLR cameras to be "big, heavy, and difficult to operate."
The Micro Four Thirds System standard was established to meet this need by enabling the development of radically more compact and lightweight interchangeable lens type digital camera systems. The camera currently under development will be the first Olympus camera to comply with the Micro Four Thirds 
System standard, and interchangeable lenses that comply with the standard are also moving ahead. In addition, users will be able to mount existing Four Thirds System wide-angle, telephoto, and macro lenses on Micro Four Thirds System bodies via an adapter.
Product name, launch date and retail price of an interchangeable lens type digital camera based on the "Micro Four Thirds System" are not determined now.
Olympus Imaging is also committed to the Four Thirds System,
and will continue to expand its line-up of digital SLR cameras to satisfy a broad spectrum of customer needs. This includes the professional photographer, aspiring artist, hobbyist, and everyday consumer.
Outline of the Micro Four Thirds standard
The Micro Four Thirds standard was designed and developed to maximize the performance potential of digital imaging technology, and to extend the benefits of the Four Thirds System standard for digital camera systems.
When compared to the Four Thirds System standard, the primary distinguishing features of the Micro Four Thirds standard are:
Approximately 50% shorter flangeback distance (mount-to-sensor distance)
Lens mount outer diameter approximately 6mm smaller
Electrical contacts in mount increased from 9 to 11
* Image sensor diagonal dimensions are the same for both Four Thirds System and Micro Four Thirds System standards.
The Micro Four Thirds System enables users to enjoy the same high image quality of the Four Thirds System's 4/3-type image sensor in a much more compact body, and also take advantage of significantly more compact lenses, particularly in the wide-angle and high-power zoom range. The Four Thirds System offers the benefits of compact, lightweight performance, and the new Micro Four Thirds System takes this still further to enable development of ultra-compact interchangeable lens type digital camera systems unlike anything seen before. The new Micro Four Thirds System also incorporates a greater number of lens-mount electrical contacts for the support of new features and expanded system functionality in the future.
* The company names and product names specified in this release are the trademarks or registered trademarks of each company.
Saturday, September 20, 2008
Leica Updates M8 Firmware
I was cruising through the newly revamped Leica website trawling
for info on the last big announcement they are saving for Photokina when I came upon this little nugget:
Leica has updated the M8 Classic firmware to v2.0 which adds the following features to the original Leica digital rangefinder:
* Auto ISO - The M8 Classic can now automatically adjust ISO settings to maintain a minimum shutter speed. This is activated from the M8's SET menu. Parameters are adjusted on the MENU menu which include making the Auto ISO parameters lens dependent.
* SDHC Support - Gone are the manacles of 2GB SD cards! The M8 Classic now supports higher capacity SDHC cards. I tested with a 4GB PNY SDHC card and reported space for 370 RAW images. Sweetness!
What's not there (that requires upgrading to the M8.2):
* Hardware updates - No amount of firmware updates will replace the shutter mechanism, add sapphire glass, or provide a method to alter shutter cocking behaviors. That requires that new bits be installed in the camera.
The firmware update is a welcome bit of news to Leica M8 owners who have been complaining about lack of SDHC support and Auto ISO since Day One. It will also allow Leica M8 owners to make a better choice about upgrading to the new model by virtue of providing two of the major features of the new version for free to existing customers.
You can download the update from Leica here.
I have mirrored the update here.
UPDATE: Leica recommends that Lexar & Sandisk SDHC be used for maximum compatibility. I can report that PNY cards up to 8GB work just fine. 8GB PNY SDHC = 753 RAW images. All for $34.99 from Best Buy.
Wednesday, September 17, 2008
Zeiss Lens Frenzy for Photokina 2008
Carl Zeiss AG of Oberkochen/Germany have released a slew of lens announcements for Photokina 2008. A new SLR mount, dubbed ZE,
premiered allowing Zeiss optics to be used on Canon EF mount cameras. The first lenses in this series are:
* Planar T* 1,4/50 ZE 579 euros (incl. 19% German VAT)
* Planar T* 1,4/85 ZE 999 euros (incl. 19% German VAT)
Also announced was a new 21mm Super Wide Angle lens for SLR Cameras - Distagon T* 2,8/21
Initially available in ZF, & ZK mounts (Nikon & Pentax respectively), this lens is a modern version of the classic Contax system lens. ZE mount for Canon will be added later on.
* Distagon T* 2,8/21 ZF, ZK 1,399 euros (incl. 19% German VAT)
Last, but not least, is the Zeiss Tele-Tessar T* 4/85 ZM for rangefinder cameras. Billed as a "perfect travel lens", the 
Tele-Tessar is compact and lightweight.
* Tele-Tessar T* 4/85 ZM 769 euros (incl. 19% German VAT)
Press Releases
Zeiss ZE Lenses
OBERKOCHEN/Germany, 15.09.2008.
Carl Zeiss is expanding its successful line of SLR lenses: ZE lenses with EF bayonet for all analog and digital EOS camera models. As with all EF lenses, the new ZE lenses from Carl Zeiss transfer all information exclusively via electronic contacts. This means that all exposure modes such as programmed auto exposure, shutter priority, aperture priority and manual setting are supported. The camera’s automatic focus confirmation also remains available to an unlimited extent with these manual focus lenses. With digital SLRs, the lens data and all exposure data can also be accessed via the camera’s EXIF file. Even E-TTL flash metering is supported. The first lenses to be available will be the Planar T* 1.4/50 ZE and the Planar T* 1.4/85 ZE in the last quarter of this year. Further focal lengths will be added to the line within the next few months.
Distagon T* 2,8/21 ZF, ZK
OBERKOCHEN/Germany, 16.09.2008.
The legendary Distagon T* 2.8/21 is now being introduced for SLR cameras with EF, F and K bayonets. Thanks to its excellent performance, this modernized version from the former Contax system sets new standards in this focal length class. “The outstanding correction of chromatic aberration enables photos without color fringes even in high-contrast light conditions”, says Martin Klottig, Marketing Manager, Carl Zeiss Camera Lens Division. “Even at full aperture, the floating element design ensures optimum edge-to-edge image quality over the entire focusing range. And even in difficult light conditions, the new Distagon provides excellent results thanks to its T* coating, optimum reflection reduction and exceptional chromatic correction.”
The shortest possible distance setting of only 0.22 m makes the lens ideal for impressive perspectives. Typical applications include architectural, journalistic and landscape photography.
The Distagon 2.8/21 is available with an EF bayonet (ZE), F bayonet (ZF) and a K bayonet (ZK). It is suitable for both digital and analog full-format SLR cameras.
Delivery of the Distagon T* 2.8/21 is scheduled to begin by the end of this year with the ZF and ZK version.
Tele-Tessar T* 4/85 ZM
OBERKOCHEN/Germany, 17.09.2008.
The compact tele lens Tele-Tessar T* 4/85 ZM fits perfectly to the popular ZM line of lenses. Thanks to its small size, this lens is ideal for portrait and landscape photography. Together with the compact C Biogon T* 2.8/35 ZM, the Tele-Tessar is the perfect equipment for you to travel with, providing you with fascinating possibilities. Despite its compact design, the image quality of the Tele-Tessar T* 4/85 ZM is by no means inferior to that of other lenses in the ZM line. The lens is almost distortion-free and features excellent field curvature correction. Its shortest possible distance setting of only 0.9 m ensures maximum diversity of use. Its all-metal mount and sturdy design make it a multi-purpose lens for a wide variety of applications, even in tougher conditions.
Delivery of the Tele-Tessar T* 4/85 ZM is scheduled to begin by the end of the year.
Sunday, September 14, 2008
Leica Unveils M8.2
Evolution of the LEICA M8 digital rangefinder camera
* New metal blade focal plane shutter
* Ultra scratch-resistant sapphire crystal as coverglass
* New snapshot mode
* Quick override setting
* Leica dot and accessory also in black
* Robust “vulcanite“ finish
* New compact charger
The new LEICA M8.2 is a significant development of Leica Camera AG’s German-made digital rangefinder camera for professionals. While important LEICA M8 attributes such as discretion, intuitive work and robustness have been further improved, the new model retains the key characteristics of the Leica reportage camera such as the compact shape, the exceptional image quality in connection with Leica M lenses and the unique picture composition with the Leica rangefinder that show it to be a genuine M camera. The LEICA M8.2 complements the M8, and many elements of the M8.2 can be integrated into the M8 if desired. With this parallel marketing, Leica Camera AG is underlining yet again the full system compatibility and high value retention of its M series.
The LEICA M8.2 integrates a new extra-quiet, low-vibration metal blade focal plane shutter which allows the photographer to determine the right moment for cocking. This brings the digital LEICA M8.2 extremely close to the ideal of the famous rubber cloth focal plane shutter of its analog sisters. Responding to the request of many professional photographers, the new black model has been given an even more inconspicuous design: the Leica dot and the accessory shoe now blend in with the color of the camera. The black version of the camera boasts a new extra durable high-quality deep black finish.
The new snapshot mode will appeal to all those who want good results right away without knowing a lot about photography. If the shutter speed dial is turned to the new “S“ setting, the camera controls all the key features automatically, such as automatic exposure (aperture priority), automatic ISO speed setting and automatic white balance. For the three most commonly used subject modes, the LEICA M8.2 gives hints on aperture and focus settings, which are displayed when the “INFO” button on the camera monitor is pressed. The photographer can obtain further information from the new brief waterproof instructions which can be folded to the size of a credit card.
The automatic ISO setting can be selected in all operation modes of the LEICA M8.2. Another new feature is a quick override setting: When the shutter release button is sustained as far as the first pressure point, a correction of +/- 3 stops in 1/3 steps can be made with the dial on the back of the camera. The setting is shown in the viewfinder. Further modifications include a more pronounced detent mechanism of the main switch of the camera to prevent inadvertent activation of the self-timer, and redesign of the bright line frames in the viewfinder to allow more precise determination of the picture frame for longer distances.
The new LEICA M8.2 is the very first professional digital camera to use an ultra scratch- resistant sapphire crystal as coverglass for the camera monitor. It is so hard that it can be exclusively worked with special diamond tools and is permanently resistant to all mechanical or abrasive stress. The camera also sports a new easy-grip and specially robust “vulcanite“ finish.
The new compact charger unit is designed to take up a minimum of space in the photograper’s bag, and charges the lithium ion battery to 80% in only an hour and a half. This is already sufficient for about 400 exposures, so if the full capacity of about 500 exposures is not required, the camera can always be recharged in a very short time.
The new LEICA M8.2 has inherited the superlative image quality of the LEICA M8, resulting from the combination of the legendary M lenses with a CCD image sensor specially designed for the requirements of the Leica M system and high-performance image processing. The new Capture One 4 raw data converter of the Danish manufacturer Phase One ensures the best possible picture quality in the camera’s DNG mode. Unlike any other digital camera, the LEICA M8.2 is able to use almost all Leica M system lenses produced since 1954 due to their high standard of performance.
Like its predecessors, the new LEICA M8.2 continues in the tradition of easy operation, concentration on the essential, few controls and logical, easy-to-follow menus.
The LEICA M8 launched in the fall of 2006 is still available as an alternative to the new LEICA M8.2. Following a tradition of the Leica company that is unique in the world of digital photography, many elements of the new LEICA M8.2 can even be integrated into the LEICA M8: the shutter, the sapphire coverglass or the new viewfinder frames can be retrofitted by Customer Service.
The LEICA M8.2 is available now at Leica stockists.
Friday, September 12, 2008
Panasonic Announces Micro Four-Thirds Camera
PANASONIC LUMIX DMC-G1: WORLD’S SMALLEST AND LIGHTEST DIGITAL INTERCHANGEABLE LENS CAMERA 1
World’s First Micro Four Thirds System Camera Features Portability, Ease-of-Use and Colorful Blue and Red Models For Personalized Style and Active Lifestyles
Secaucus, NJ (September 12, 2008) – Panasonic today announced the world’s first Micro Four Thirds system camera, the LUMIX DMC-G1, the world’s smallest and lightest digital interchangeable lens camera, weighing in at approximately 385 grams (0.85 lbs).1 Based on the new Micro Four Thirds System standard, the LUMIX G1 eliminates the internal mirror structure that defines digital single-lens reflex (DSLR) cameras, thus reducing the size and weight by nearly half.2 With the mirror-less system, the G1’s flange back, which is the distance between the mount and the image sensor, has been reduced from 40 mm – as specified in the Four Thirds System – to approximately 20 mm.
The new Panasonic LUMIX DMC-G1 will enhance the advanced photo quality and flexibility made possible by the Four Thirds System, and with its innovative design, consumers will appreciate the portability of a smaller camera body and lenses. The G1 will be available in mid-November as a kit with the new LUMIX G VARIO 14-45mm/F3.5-5.6 ASPH/MEGA O.I.S lens. Also available in November, and announced today, is the LUMIX G VARIO 45-200mm/F4.0-5.6/MEGA O.I.S.lens.
“With the LUMIX G1, we are filling a void that has existed for 
a long time in the digital camera market, because consumers wanted the power of an SLR, but previous models were bulky and inconvenient,” said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. “The LUMIX G answers this challenge as consumers can benefit from the flexibility of changing lenses; a quick Auto Focus; and a sensor that produces high-quality photos. By packing all those powerful assets into an extremely compact body with easy-to-use features familiar to point-and-shoot users, we are excited about G, as it brings new possibilities to the consumer.”
Posts
