Leica Unveils S2 Medium Format-ish DSLR

After a triple whammy of camera announcements last week, Leica AG dropped the proverbial bomb at Photokina 2008. Dr. Kaufmann unveiled their latest creation: the Leica S2 Professional Digital SLR. This beast not only propels Leica into the world of Autofocusing Digital SLRs (which they were sorely deficient in for years), but also places them in a brand new market for them: Medium Format. Long the stronghold of the likes of Hasselblad, Mamiya, Sinar, Rollei and Bronica, Leica charges at the gate with a camera that sports a 45x35mm sensor (vs. the 36x24mm sensor in a full frame DSLR vs. 60x45mm sensor in a full frame MFDB - Phase P65+ back) with a resolution of 37 megapixels. Remember, these are big, fat medium format pixels oozing with with dynamic range. The body itself is sits between the Canon 5D and 1DsMkIII in size and way smaller than the likes of anything offered by the Medium Format guys. One other change is that this camera will be distributed, sold and serviced through Phase One's network of dealers. While this might miff the current Leica dealers, the camera's internals were designed in cooperation with Phase One so it makes sense that they would distribute, sell and support it. Prices for the body and 70mm f/2.5 lens is rumored to be around $18,000USD. Expected availability is Summer 2009. UPDATE: Here is the Leica - Phase One Press Release LEICA CAMERA AG AND PHASE ONE CONCLUDE STRATEGIC ALLIANCE Leica Camera AG and Phase One A/S have agreed to enter into a long-term strategic alliance. Both companies are in mutual agreement on the terms of close future cooperation in the technical development and marketing of premium products for the professional photography segment. The objective is to offer photographers innovative high-end solutions that guarantee the greatest possible creative freedom and set standards in terms of performance, quality and technological maturity. Close cooperation has also been decided upon for the expansion of effective service and marketing structures. The CEO of Leica Camera AG, Dr Andreas Kaufmann, welcomes the collaboration with Phase One: 'Our two companies are an outstanding match for each other due to the similarity of their corporate cultures, their extraordinary innovative strengths and their dedication to absolute quality. We complement each other very well, particularly in the marketing segment. This will enable Leica to establish a strong and sustainable position at the leading edge of the professional segment. Together with Phase One we will soon be able to begin offering professional customers a new range of products and services.' In addition to digital backs for medium format and view cameras, Phase One, the world's leading manufacturer of camera systems for the professional segment, also offers industrialgrade software and image processing solutions specially designed to meet the most demanding requirements of professional photographers. According to the CEO of Phase One A/S, Henrik Håkonsson: 'Thanks to first class internal development and technological alliances, Phase One maintains its leadership in the provision of software and image processing solutions for the professional segment. As a consequence of this strategic alliance with Leica, Phase One now has access to the vast optical expertise of the market's quality leader and we can improve our product offerings to the world’s best photographers. Leica Camera AG in Solms offers precision optical products of uncompromising quality and mechanical precision for the industrial and private high-end segments. The Leica range embraces a broad spectrum of cameras and precision optical products for analogue and digital photography, projectors and a range of binoculars, spotting scopes and rangefinders for field observation. Thanks to systematic investment in the manufacture of aspherical optical elements, Leica possesses vast expertise in the manufacturing, the optical calculation, the measuring and testing technology, as well as in the construction of lenses and the assembly of aspherical lens systems. Further information about Leica Camera AG and its products can be found at www.leica-camera.com. UPDATE 2: Official Press Release from Leica on the S-System A new dimension for professionals LEICA S2 – Radical new digital SLR camera system from Leica Responding to the commercial needs of professional photographers, Leica Camera AG in Solms will introduce the Leica S2 at photokina in Cologne (23rd-28th September 2008), a new digital Leica SLR camera system for professional photographers. A new system concept has been developed, entitled “Made in Solms”. For this camera concept, renowned professional photographers have been involved in all parts of the development process. The outcome is a system designed specifically to deliver the fastest, high end resolution work, requiring the minimum of post production. Excellent news for commercial photographers seeking to exceed demanding client expectations in a working time which allows improved income for their talents. Designed from scratch the new German made camera is ground breaking, as unlike most other pro digital systems, it does not use a conventional medium format or 35mm platform. The LEICA S2 has a sensor size that exceeds the 35 mm format and incorporates many of the advantages of professional systems. The new 37 mega pixels CCD sensor with a breathtaking image resolution will produce images at the top of the professional game for a number of years. In particular, the lenses set new performance benchmarks enabling the sensor to overdeliver per pixel. The pixels are distributed on a sensor 56% larger than full size 35mm. The compact design and handy metal body is smaller than those of comparative products from different manufacturers. Ergonomic and a pleasure to use, the camera is set to become a professional photographer´s favourite. The camera´s bespoke sensor has enabled the Leica designers to produce the smallest camera in its class. It´s super modern new and innovative processing technology is twice as quick. The Leica “MAESTRO” image processor developed with Fujitsu specifically for the LEICA S2, allows the camera´s lenses, firmware and sensor to function at their optimum. It produces market leading processing time and the highest level of picture quality with minimal energy output. It enables picture quality and super quick transfer time with minimal energy output. In spite of the sensor size, the extremely compact body is fully protected against dust and splashes. For this class of camera, the LEICA S2 has a particularly precise and quick autofocus system that makes focusing easier. The large, bright viewfinder makes picture composition easy. Taking many pictures in quick succession is also possible, and there is a high sensitivity setting to use when lighting is problematic. New lenses designed specially to suit the demands of this format offer unrivalled imaging quality and set new benchmarks for the camera market as a whole. Thus the LEICA S2 lens system meets the needs of professional photographers. The optic calculation incorporates all the factors and requirements of digital technology, meaning that software to correct image artifacts becomes superfluous. The constant high image quality is present right into the corners of the images, from close up to infinity. Even at wide apertures, maximal contrast, high resolution and detailed colour reproduction are guaranteed. The between-the-lens shutters in some of the system lenses enable lightning fast synchronisation for the quickest possible exposure time. The quick and precise autofocus of the Leica S lenses can be adjusted manually at any time. Like the camera, the lenses are made from metal and come with a weatherproof seal. The lenses are thus particularly robust and protected from dust and dampness. The LEICA S2 is particularly easy to handle and choosing the settings is pretty much intuitive. Ergonomically designed, the body sits comfortably in the hand whether in vertical or horizontal position. The bright, high-resolution display with quick zoom-in function enables exposures to be seen perfectly even in daylight. The camera concept can be integrated seamlessly into the professional digital workflow. With Dr. Andreas Kaufmann as its main shareholder, Leica Camera AG is entering a new era. Following in-depth and successful re-structuring, the business can now concentrate on investing in new products. Leica has made a quantum leap in the field of digital technology, enabling it to combine the advantages of highly developed digital technology with the classic Leica values concerning optics, mechanics and optimal image results. The result of this is uncompromising cutting-edge technology; the LEICA S2 is the first to offer all these things to professional digital photographers. The LEICA S system sets the trend for future Leica products in terms of technology and leads the way for future product ideas from Leica Camera AG. Preliminary Analysis Based on available information, the S-System is a bold move by Leica. Always considered a Premium Brand, Leica needed to chart new territory in order to keep itself fresh and a market leader. Entry into the DSLR arena would have placed Leica at a disadvantage against market heavyweights Canon and Nikon (and they would have to duke it out with Sony who recently introduced a full frame 35mm DSLR). By jumping to medium format, a blossoming area in digital photography where equipment costs are much higher than the more pedestrian 35mm format, Leica stood poised to bring their expertise to bare on a market hampered by large camera systems and slow image acquisition speeds. Add to this their Bauhaus style ergonomic designs, dust and weather seals, high performance optics designed for the sensor (taking a page from the Four Thirds manual it seems) and teaming up with a leader in the development of medium format sensors and software, Phase One, all adds up to a tremendous market opportunity for Leica. What remains to be seen is whether professional photographers and rental houses will go for it. The official Leica S-System site is located at http://www.s.leica-camera.com

Olympus Unveils Prototype Micro-4/3 Camera

Olympus Imaging Corporation (President: Masaharu Okubo) today announced that it has begun development of an interchangeable lens type digital camera based on the "Micro Four Thirds System." Development of the camera will bring dramatic reductions in size and weight to the Olympus E-System, and will comply with the new Micro Four Thirds System standard jointly announced with Matsushita Industrial Co., Ltd.(Panasonic) on August 5. From September 23 through 28, a concept mock-up of the camera will be exhibited at "Photokina 2008", the world's biggest trade fair for the photographic and imaging industries held at Köln Messe, Cologne, Germany. The global market for interchangeable lens type digital cameras is growing steadily, but still only accounts for a 7% share of the total digital camera market. Considering the much larger share held by interchangeable lens type digital cameras when film was the dominant imaging medium, it seems that there is still ample room for sales growth in this category. Market surveys, however, indicate that more than a few customers choose compact models because they find digital SLR cameras to be "big, heavy, and difficult to operate." The Micro Four Thirds System standard was established to meet this need by enabling the development of radically more compact and lightweight interchangeable lens type digital camera systems. The camera currently under development will be the first Olympus camera to comply with the Micro Four Thirds System standard, and interchangeable lenses that comply with the standard are also moving ahead. In addition, users will be able to mount existing Four Thirds System wide-angle, telephoto, and macro lenses on Micro Four Thirds System bodies via an adapter. Product name, launch date and retail price of an interchangeable lens type digital camera based on the "Micro Four Thirds System" are not determined now. Olympus Imaging is also committed to the Four Thirds System, and will continue to expand its line-up of digital SLR cameras to satisfy a broad spectrum of customer needs. This includes the professional photographer, aspiring artist, hobbyist, and everyday consumer. Outline of the Micro Four Thirds standard The Micro Four Thirds standard was designed and developed to maximize the performance potential of digital imaging technology, and to extend the benefits of the Four Thirds System standard for digital camera systems. When compared to the Four Thirds System standard, the primary distinguishing features of the Micro Four Thirds standard are: Approximately 50% shorter flangeback distance (mount-to-sensor distance) Lens mount outer diameter approximately 6mm smaller Electrical contacts in mount increased from 9 to 11 * Image sensor diagonal dimensions are the same for both Four Thirds System and Micro Four Thirds System standards. The Micro Four Thirds System enables users to enjoy the same high image quality of the Four Thirds System's 4/3-type image sensor in a much more compact body, and also take advantage of significantly more compact lenses, particularly in the wide-angle and high-power zoom range. The Four Thirds System offers the benefits of compact, lightweight performance, and the new Micro Four Thirds System takes this still further to enable development of ultra-compact interchangeable lens type digital camera systems unlike anything seen before. The new Micro Four Thirds System also incorporates a greater number of lens-mount electrical contacts for the support of new features and expanded system functionality in the future. * The company names and product names specified in this release are the trademarks or registered trademarks of each company.

Leica Updates M8 Firmware

I was cruising through the newly revamped Leica website trawling for info on the last big announcement they are saving for Photokina when I came upon this little nugget: Leica has updated the M8 Classic firmware to v2.0 which adds the following features to the original Leica digital rangefinder: * Auto ISO - The M8 Classic can now automatically adjust ISO settings to maintain a minimum shutter speed. This is activated from the M8's SET menu. Parameters are adjusted on the MENU menu which include making the Auto ISO parameters lens dependent. * SDHC Support - Gone are the manacles of 2GB SD cards! The M8 Classic now supports higher capacity SDHC cards. I tested with a 4GB PNY SDHC card and reported space for 370 RAW images. Sweetness! What's not there (that requires upgrading to the M8.2): * Hardware updates - No amount of firmware updates will replace the shutter mechanism, add sapphire glass, or provide a method to alter shutter cocking behaviors. That requires that new bits be installed in the camera. The firmware update is a welcome bit of news to Leica M8 owners who have been complaining about lack of SDHC support and Auto ISO since Day One. It will also allow Leica M8 owners to make a better choice about upgrading to the new model by virtue of providing two of the major features of the new version for free to existing customers. You can download the update from Leica here. I have mirrored the update here. UPDATE: Leica recommends that Lexar & Sandisk SDHC be used for maximum compatibility. I can report that PNY cards up to 8GB work just fine. 8GB PNY SDHC = 753 RAW images. All for $34.99 from Best Buy.

Zeiss Lens Frenzy for Photokina 2008

Carl Zeiss AG of Oberkochen/Germany have released a slew of lens announcements for Photokina 2008. A new SLR mount, dubbed ZE, premiered allowing Zeiss optics to be used on Canon EF mount cameras. The first lenses in this series are: * Planar T* 1,4/50 ZE 579 euros (incl. 19% German VAT) * Planar T* 1,4/85 ZE 999 euros (incl. 19% German VAT) Also announced was a new 21mm Super Wide Angle lens for SLR Cameras - Distagon T* 2,8/21 Initially available in ZF, & ZK mounts (Nikon & Pentax respectively), this lens is a modern version of the classic Contax system lens. ZE mount for Canon will be added later on. * Distagon T* 2,8/21 ZF, ZK 1,399 euros (incl. 19% German VAT) Last, but not least, is the Zeiss Tele-Tessar T* 4/85 ZM for rangefinder cameras. Billed as a "perfect travel lens", the Tele-Tessar is compact and lightweight. * Tele-Tessar T* 4/85 ZM 769 euros (incl. 19% German VAT) Press Releases Zeiss ZE Lenses OBERKOCHEN/Germany, 15.09.2008. Carl Zeiss is expanding its successful line of SLR lenses: ZE lenses with EF bayonet for all analog and digital EOS camera models. As with all EF lenses, the new ZE lenses from Carl Zeiss transfer all information exclusively via electronic contacts. This means that all exposure modes such as programmed auto exposure, shutter priority, aperture priority and manual setting are supported. The camera’s automatic focus confirmation also remains available to an unlimited extent with these manual focus lenses. With digital SLRs, the lens data and all exposure data can also be accessed via the camera’s EXIF file. Even E-TTL flash metering is supported. The first lenses to be available will be the Planar T* 1.4/50 ZE and the Planar T* 1.4/85 ZE in the last quarter of this year. Further focal lengths will be added to the line within the next few months. Distagon T* 2,8/21 ZF, ZK OBERKOCHEN/Germany, 16.09.2008. The legendary Distagon T* 2.8/21 is now being introduced for SLR cameras with EF, F and K bayonets. Thanks to its excellent performance, this modernized version from the former Contax system sets new standards in this focal length class. “The outstanding correction of chromatic aberration enables photos without color fringes even in high-contrast light conditions”, says Martin Klottig, Marketing Manager, Carl Zeiss Camera Lens Division. “Even at full aperture, the floating element design ensures optimum edge-to-edge image quality over the entire focusing range. And even in difficult light conditions, the new Distagon provides excellent results thanks to its T* coating, optimum reflection reduction and exceptional chromatic correction.” The shortest possible distance setting of only 0.22 m makes the lens ideal for impressive perspectives. Typical applications include architectural, journalistic and landscape photography. The Distagon 2.8/21 is available with an EF bayonet (ZE), F bayonet (ZF) and a K bayonet (ZK). It is suitable for both digital and analog full-format SLR cameras. Delivery of the Distagon T* 2.8/21 is scheduled to begin by the end of this year with the ZF and ZK version. Tele-Tessar T* 4/85 ZM OBERKOCHEN/Germany, 17.09.2008. The compact tele lens Tele-Tessar T* 4/85 ZM fits perfectly to the popular ZM line of lenses. Thanks to its small size, this lens is ideal for portrait and landscape photography. Together with the compact C Biogon T* 2.8/35 ZM, the Tele-Tessar is the perfect equipment for you to travel with, providing you with fascinating possibilities. Despite its compact design, the image quality of the Tele-Tessar T* 4/85 ZM is by no means inferior to that of other lenses in the ZM line. The lens is almost distortion-free and features excellent field curvature correction. Its shortest possible distance setting of only 0.9 m ensures maximum diversity of use. Its all-metal mount and sturdy design make it a multi-purpose lens for a wide variety of applications, even in tougher conditions. Delivery of the Tele-Tessar T* 4/85 ZM is scheduled to begin by the end of the year.

Leica Unveils M8.2

Evolution of the LEICA M8 digital rangefinder camera * New metal blade focal plane shutter * Ultra scratch-resistant sapphire crystal as coverglass * New snapshot mode * Quick override setting * Leica dot and accessory also in black * Robust “vulcanite“ finish * New compact charger The new LEICA M8.2 is a significant development of Leica Camera AG’s German-made digital rangefinder camera for professionals. While important LEICA M8 attributes such as discretion, intuitive work and robustness have been further improved, the new model retains the key characteristics of the Leica reportage camera such as the compact shape, the exceptional image quality in connection with Leica M lenses and the unique picture composition with the Leica rangefinder that show it to be a genuine M camera. The LEICA M8.2 complements the M8, and many elements of the M8.2 can be integrated into the M8 if desired. With this parallel marketing, Leica Camera AG is underlining yet again the full system compatibility and high value retention of its M series. The LEICA M8.2 integrates a new extra-quiet, low-vibration metal blade focal plane shutter which allows the photographer to determine the right moment for cocking. This brings the digital LEICA M8.2 extremely close to the ideal of the famous rubber cloth focal plane shutter of its analog sisters. Responding to the request of many professional photographers, the new black model has been given an even more inconspicuous design: the Leica dot and the accessory shoe now blend in with the color of the camera. The black version of the camera boasts a new extra durable high-quality deep black finish. The new snapshot mode will appeal to all those who want good results right away without knowing a lot about photography. If the shutter speed dial is turned to the new “S“ setting, the camera controls all the key features automatically, such as automatic exposure (aperture priority), automatic ISO speed setting and automatic white balance. For the three most commonly used subject modes, the LEICA M8.2 gives hints on aperture and focus settings, which are displayed when the “INFO” button on the camera monitor is pressed. The photographer can obtain further information from the new brief waterproof instructions which can be folded to the size of a credit card. The automatic ISO setting can be selected in all operation modes of the LEICA M8.2. Another new feature is a quick override setting: When the shutter release button is sustained as far as the first pressure point, a correction of +/- 3 stops in 1/3 steps can be made with the dial on the back of the camera. The setting is shown in the viewfinder. Further modifications include a more pronounced detent mechanism of the main switch of the camera to prevent inadvertent activation of the self-timer, and redesign of the bright line frames in the viewfinder to allow more precise determination of the picture frame for longer distances. The new LEICA M8.2 is the very first professional digital camera to use an ultra scratch- resistant sapphire crystal as coverglass for the camera monitor. It is so hard that it can be exclusively worked with special diamond tools and is permanently resistant to all mechanical or abrasive stress. The camera also sports a new easy-grip and specially robust “vulcanite“ finish. The new compact charger unit is designed to take up a minimum of space in the photograper’s bag, and charges the lithium ion battery to 80% in only an hour and a half. This is already sufficient for about 400 exposures, so if the full capacity of about 500 exposures is not required, the camera can always be recharged in a very short time. The new LEICA M8.2 has inherited the superlative image quality of the LEICA M8, resulting from the combination of the legendary M lenses with a CCD image sensor specially designed for the requirements of the Leica M system and high-performance image processing. The new Capture One 4 raw data converter of the Danish manufacturer Phase One ensures the best possible picture quality in the camera’s DNG mode. Unlike any other digital camera, the LEICA M8.2 is able to use almost all Leica M system lenses produced since 1954 due to their high standard of performance. Like its predecessors, the new LEICA M8.2 continues in the tradition of easy operation, concentration on the essential, few controls and logical, easy-to-follow menus. The LEICA M8 launched in the fall of 2006 is still available as an alternative to the new LEICA M8.2. Following a tradition of the Leica company that is unique in the world of digital photography, many elements of the new LEICA M8.2 can even be integrated into the LEICA M8: the shutter, the sapphire coverglass or the new viewfinder frames can be retrofitted by Customer Service. The LEICA M8.2 is available now at Leica stockists.

Panasonic Announces Micro Four-Thirds Camera

PANASONIC LUMIX DMC-G1: WORLD’S SMALLEST AND LIGHTEST DIGITAL INTERCHANGEABLE LENS CAMERA ¹ World’s First Micro Four Thirds System Camera Features Portability, Ease-of-Use and Colorful Blue and Red Models For Personalized Style and Active Lifestyles Secaucus, NJ (September 12, 2008) – Panasonic today announced the world’s first Micro Four Thirds system camera, the LUMIX DMC-G1, the world’s smallest and lightest digital interchangeable lens camera, weighing in at approximately 385 grams (0.85 lbs).¹ Based on the new Micro Four Thirds System standard, the LUMIX G1 eliminates the internal mirror structure that defines digital single-lens reflex (DSLR) cameras, thus reducing the size and weight by nearly half.² With the mirror-less system, the G1’s flange back, which is the distance between the mount and the image sensor, has been reduced from 40 mm – as specified in the Four Thirds System – to approximately 20 mm. The new Panasonic LUMIX DMC-G1 will enhance the advanced photo quality and flexibility made possible by the Four Thirds System, and with its innovative design, consumers will appreciate the portability of a smaller camera body and lenses. The G1 will be available in mid-November as a kit with the new LUMIX G VARIO 14-45mm/F3.5-5.6 ASPH/MEGA O.I.S lens. Also available in November, and announced today, is the LUMIX G VARIO 45-200mm/F4.0-5.6/MEGA O.I.S.lens. “With the LUMIX G1, we are filling a void that has existed for a long time in the digital camera market, because consumers wanted the power of an SLR, but previous models were bulky and inconvenient,” said David Briganti, National Marketing Manager, Imaging, Panasonic Consumer Electronics Company. “The LUMIX G answers this challenge as consumers can benefit from the flexibility of changing lenses; a quick Auto Focus; and a sensor that produces high-quality photos. By packing all those powerful assets into an extremely compact body with easy-to-use features familiar to point-and-shoot users, we are excited about G, as it brings new possibilities to the consumer.”

The LUMIX G1 is also the world’s first interchangeable lens camera that will come with color variety – with availability in black, blue and red models – allowing consumers to personalize their style through color, something very popular with point-and-shoot camera models. For current Four Thirds users with a collection of lenses, an optional mount adapter will allow Four Thirds lenses to be compatible with the LUMIX G1.³ Also, today, with the introduction of the Micro Four Thirds System, Panasonic is announcing a wide-variety of accessories including: External Flash DMW-FL220(GN22); PL Filter: DMW-LPL52; Mount Adapter: DMW-MA1; Battery Pack: DMW-BLB13; DC Cable: DMW-DCC3; Soft Case: DMW-CG1; Soft Bag: DMW-BAG1; Shoulder Strap (Stylish) DMW-SSTG1-A/C/R; Shoulder Strap (Woven) DMW-SSTG2-W; Shoulder Strap (Leather) DMW-SSTG3-T. The G1 is also compatible with current accessories: External Flash: DMW-FL360(GN36)/DMW-FL500(GN50); ND Filter: DMW-LND52; MC Protector: DMW-LMC52; Remote Shutter: DMW-RSL1; HDMI mini Cable: RP-CDHM15(1.5m), RP-CDHM30(3.0m). The G1’s compact size can also be attributed to its electronic full-time Live View Finder, as opposed to a conventional optical viewfinder. The electronic Live View Finder, with an impressive and high-resolution 1,440,000-dot equivalent, allows the user to shoot the exact image the camera sees while also displaying information about the camera’s settings through the view finder. The G1 also features a clever built-in eye sensor, so the camera can detect when the user is nearing the view finder and automatically switches off the LCD, thus conserving battery life. Also, the Live View Finder has a large 1.4x (0.7x on a 35mm equivalent) magnification and when using the G1 in manual focus mode, the frame in the view finder or LCD will enlarge by 5x or 10x (can adjust using the dial). The Live View Finder and the bright 460,000-dot resolution, 3.0-inch LCD provide a 100% field of view, letting the user adjust settings before taking a shot, which is a great learning tool for consumers beginning to use manual controls, as they can visually confirm the effects of changed settings. The LCD can also swivel 180 degrees horizontally and 270 degrees vertically, giving the consumer flexibility to take high- and low-angle shots, and its Auto Power technology will automatically boost brightness by as much as 40% depending on the shooting condition so it remains visible in all lighting environments. The G1 introduces a new Contrast AF (Auto Focus) function that is not only accurate and easy to use, but also very fast. Users can choose from a wide-range of AF modes, including multiple-area AF with up to 23 focus areas, 1-area AF with a selectable focus area, Face Detection, and AF Tracking. In the 1-area AF mode, the AF frame size can be changed by simply turning a dial. The G1 also has a Quick AF function that begins focusing as soon as the user aims the camera – no need to wait to press the shutter button halfway. This provides quicker focusing that can help capture the subject before the crucial moment passes. Users familiar with point-and-shoot digital cameras, and new to the world of advanced interchangeable lens cameras, will benefit from Panasonic’s Intelligent Auto (iA) mode. When in iA mode, the G1 will detect the shooting condition and automatically adjust for the ultimate shooting results. Panasonic’s iA includes the following intuitive technologies. * AF Tracking – Automatically tracks the subject as it moves, keeping it in focus without the need to hold the shutter halfway down. * Intelligent Exposure – Helps prevents photos from being under- or over-exposed by analyzing the framed image and adjusting the brightness in areas that are too dark because of dim lighting, backlighting or the use of the flash. * MEGA O.I.S. – Gyrosensors detect hand-shake and the lens system shifts to compensate, helping to prevent hand movement from creating a blurry image. * Intelligent ISO – Determines if the photo subject is moving and changes the ISO setting and shutter speed accordingly, thus giving a blur-free photo. * Intelligent Scene Selector – Senses the ambient conditions and will automatically select the appropriate mode from Scenery, Portrait, Close-up, Night Portrait or Night Scenery. * Face Detection – Detects faces in the frame (up to 15 faces), even if they are moving, and selects optimal focus and exposure settings so portraits come out clear. Also features Digital Red-Eye correction. The Panasonic LUMIX DMC-G1, a 12.1 Megapixel camera, also includes the following advanced features. * Live MOS Sensor – Provides the best of both worlds with high image quality from a CCD sensor, and the lower-power consumption of a CMOS sensor. New technology makes it possible to read four channels of data simultaneously and deliver 60 frames-per-second full-time Live View images. * Venus Engine HD – New imaging processor enhances noise reduction and provides independent gradation control for each of the R, G and B colors. * Supersonic Wave Filter Dust Reduction System – Designed to prevent dust from adhering to the image sensor by vibrating 50,000 times per second, the filter repels dust and other particles. * My Color Mode – Users can freely adjust the color, brightness and saturation while composing shots, allowing for more expressive and creative shots. * HDMI Output – With an optional HDMI cable, the G1 can connect to an HDMI-capable High Definition television, such as a Panasonic VIERA Plasma or LCD. When connected to a VIERA, using VIERA Link capability, the TV’s remote control can direct the slideshow on the G1. * My Menu – This new tab automatically stores the five most recently used menu selections for quick, convenient retrieval. The custom-setting can also be used to program a frequently-used function which can be activated by pressing the down arrow on the cursor key. The color of the menu viewed on LCD can also be changed to three different colors: black, red, blue. Pricing for the Panasonic LUMIX DMC-G1 and its Micro Four Thirds accessories will be announced in early October. ¹ As of September 12, 2008. ² Compared to the Panasonic LUMIX DMC-L10. ³ Needs an adapter (available as an optional accessory) to use Four Thirds lenses. Lenses that are not compatible with the Contrast AF function can be used with manual focusing. There are also some limitations to other functions. For details, see the following customer support site: http://panasonic.jp/support/global/cs/dsc/index.htm

Leica D-Lux 4 leaked?

Leicarumors has just posted some images and specs for the upcoming Leica D-Lux 4. They also report that is has the following specifications: Leica D-Lux4 on sale from mid-October The first digital Leica systemkompaktkameraet on sale from mid-October. Read pressmeldingen from Leica / Lars Farnes AS here. Published: 3.9. Last updated at 3.9. 15:57. Category: Press Release Directed by: Løwe Per Kristian The first digital Leica systemkompaktkameraet. Leica D-Lux4 is a compact digital camera from the Leica Camera AG, Solmar with bright optics and a wider variety of settings. The camera is the sequel to the very popular Leica D-Lux3. New with the D-Lux4 is a wide range of accessories that increase the photographic potential for creative photography. A 1/1.63 "CCD is an unusually large sensor for this type of camera and allows the Leica D-Lux4 want to make pictures in excellent quality. It nykonstruerte zoom lens, LEICA DC VARIO-SUMMICRON 5.1-12.8mm f/2-2.8 ASPH has a zoomområde which is equivalent to 24-60mm in 35mm format. In addition to the very high brightness is, in extreme wide-angle 24mm on the new creative options open in connection with the landscape, architecture, travel and report photography. The high brightness makes Leica D-Lux4 ideal for photography in the existing light, without using a flash. Whether it is low light or selective use of depth of field gives Leica D-Lux4 photographer new creative options to create individual images. An integrated image stabilizer compensate for the camera in all photographic conditions, even in low light. Leica D-Lux4 offers a wide range of optional accessories that increase the camera's application: an adapter to mount such as an E46 UVa filter or a 18mm vidvinkelforsats. A brilliant optical searches with 24mm frame can be set in blitsskoen so that the photographer can compose the subject without having to prey on the battery. New kompaktblits, LEICA CF22, delivered to the Leica D-Lux4. Håndgrepet make the camera easier to hold. This camera is ready for pictures in HDTV format. By connecting the camera's HD port to an HD television sets with a component cable, the slides shown in the "high defenition." In conclusion comes lærvesker stylish in black and brown to the protection of the LEICA D-LUX4. "With the additional accessories, bright optics and an intelligent operativkonsept is Leica D-Lux4 a proper little systemkamera services with absolutely comparable to a professional camera. An unlimited potential for creative photography, very fast image processing and a compact, classic camera allows the user of the Leica D-Lux4 the additional flexibility to capture the unique moments in the camera, "says Stefan Trippe, vice president of Leica Production and Engineering at Leica Camera AG. Leica D-Lux 4 has an unusually large CCD sensor for this type of camera, measures the 1/1.63 "and has 10.1-megapixel resolution. It can therefore distinguish the finest details and get into the tonevalørene correct. The new D-Lux 4 can take pictures in all three formats (4:3, 3:2, 16:9) in order to satisfy a particular recording or framvisning. Thanks to the large sensor, it is possible to cover the 24mm wide-angle completely. Monitor has 460,000 pixels and covers wide-angle fully, the brilliant images in which the photographer can easily compose the image and view it afterwards. Monitor can be considered from oblique angles with a good picture. The bright zoom lens LEICA DC VARIO-SUMMICRON 5.1-12.8mm f/2.0-2, 8 ASPH consists of eight items (four are asfæriske) in the six groups. Visuals are specially adapted to kamerasensoren, working together with the electronics and software to create makeløse pictures in natural colors. Mht colour correction, contrast and resolution, as Leica Camera AG has developed its own profile. This is added emphasis on the images are to have the same characteristics as Leica customers have come to when they use file and get the professional framkalt. Leica D-Lux 4 has a design in which a stilren has concentrated on the essentials show the camera append themselves into the typical of Leica cameras. Ergometrisk placement of control buttons and intuitive operering makes it good to use. The focus, lukkertid, diaphragm and exposure compensation can be set manually with "joystikken". For those who want the actual photography to be as easy as possible for the camera more automatic features. When they are turned on, it is only to press the button to get a perfectly exposed and focused image. The new and intelligent autofunksjoner analyze scenes, select the best exposure that protects the information in høylys and shadows. It's just press the button to get a perfectly exposed and focused image. With its intelligent scene selection, the camera determines the correct motivtypen whether it's Portrait, Macro, Nattportrett, Landscape or Nattlandskap. Leica D-Lux 4 comes with a battery charger, rechargeable batteries and a comprehensive suite of applications. Lekker lærveske in the classical style, delivered as options. Leica D-Lux 4 is on sale in mid-October 2008. The recommended retail price $. 5.995,00 ink.mva. _______________________________________________________ Specifications LEICA D-LUX 4 Lens: LEICA DC VARIO-SUMMICRON5.1-12.8 mm f/2.0-2.8 ASPH. 8 elements in 6 groups 4 aspherical elements / 4 aspherical surfaces 2.5x optical zoom: digital zoom max. 4x Integrated optical image stabilizer Focal length: 5.1 - 12.8 mm (= 24-60 mm in 35 mm photography) Aperture: Wide-angle: f2/f8.0 (1 / 3 EV steps) Telephoto: f2.8/f8.0 (1 / 3 EV steps) Focusing: AF: Face recognition, AF tracking, 11-field, 1-field-high-speed, 1-field, 1-spot Image sensor: 1:1.63 "CCD sensor with 11.3 million total pixels Effective pixels: 10.1 million Sensitivity setting: Auto/80/100/200/400/800/1600/3200 White balance: Auto, sun, overcast sky, shade, flash lighting, halogen lighting, White Set 1, White Set 2 Exposure: Automatic program, shutter speed priority, aperture priority, manual; manual override ± 2 EV in 1 / 3 steps, automatic bracketing (3 exposures with ± 1 / 3 to 1 EV steps) Exposure metering: Choice of multi-field metering, center-weighted averaging, spot metering Programs: P / A / S / M / Custom 1/Custom2/iA/Scene/Video Scene modes: Portrait, soft skin, self-portrait, landscape, sports, night portrait, night landscape, food, party, candlelight, baby1, baby 2, sunset, high-sensitivity, starry sky, fireworks, beach, snow, aerial photo , High-speed series, flash series, film grain, pinhole camera Shutter speed range: 60 - 1 / 2000 s, Self-timer: 2 s or 10 s countdown Movie modes: Standard, dynamic, natural, soft, decorative, nostalgic, b / w standard, b / w dynamic, b / w soft, My Movie 1, My Movie 2, Multi Film Image sizes: 4:3 format (max. 10MP): 3648x 2736, 3072 x 2304, 2560 x 1920, 2048 x 1536, 1600 x 1200, 640 x 480 3:2 format (max. 9.5MP): 3776 x 2520, 3168 x 2112, 2656 x 1768, 2112 x 1048, 2048 x 1360 16:9 format (max. 9MP): 3968 x 2232, 3328 x 1872, 2784 x 1568, 2208 x 1248, 1920 x 1080 Video recording: 16:9 format: HD 1280x720 (24 fps), 848x480 (30 fps) 4:3 format: 640x480 (30 fps), 320x240 (30 fps, 10 fps) Data recording: Fine / Standard RAW / RAW + standard / RAW + fine Series exposures: 2.5 fps Max. 8 images (standard), 4 images (fine), 3 images (RAW) High-speed series mode: Approx. 6 photos (3 MP with 4:3), (2.5 MP with 3:2), (2 MP with 16:9) Flash: Auto / Auto + Anti-red-eye / Long-time Synchro + Anti-red-eye / Flash always / Flash off, 1st / 2nd shutter curtain Monitor: 3 "TFT-LCD (3:2), 460000 pixel, wide-angle field of view approx. 100 per cent Monitor playback: Overview (12/30 images, calendar), zoom, favorites, categories, slide show, picture rotation, alteration of resolution and cropping, deletion protection, photo from video, double image, larger focus field, horizon correction Storage media: Built-in memory (50 M, SD memory card, SD memory card and MultiMedia card Microphone / Loudspeaker: Built-in Ports: DC input / AV output (NTSC / PAL), USB 2.0 high-speed, mains unit Printer compatibility: PictBridge Power supply: Lithium-ion battery or optional mains unit / charger Battery capacity: 380 photos (as per CIPA Standard) Dimensions (wxhxd): 108.7 x 59.5 x 27.1 mm Weight: 228 g Scope of delivery: Camera with lens cap (incl. loop) and wriststrap, battery charger, lithium-ion battery, battery case, A / V cable, USB cable, DVD with comprehensive software package

Interarchy and Iris: Two from Nolobe Software

Nolobe Software makes two applications for the Mac: Interarchy - a high performance file transfer program that supports mirroring, a boatload of protocols (12 in total including iDisk and Amazon S3), and can take advantage of everything that Mac OS X has to offer: Automator, Dashboard, Bonjour, iDisk, Spotlight, Address Book, AppleScript and a whole bunch more. The other application they make is Iris - an “easy to use” image editor built from the ground up to take advantage of the Mac environment. Interarchy is one of the slickest file transfer programs I have ever had the pleasure of working with. Unlike most other file transfer application which use local and remote file viewing panes, Interarchy shows only the remote content, the local content is displayed in the Finder as usual. That’s right, the Interarchy window behaves as any other window on the Mac desktop. This ease of use can be an issue for veterans of classic file transfer applications (like me - something so obvious, isn’t). While it gets top marks in protocol support, features and interface design, actual file transfers do not live up to the hype. File transfer speeds on this app are good, but not impressive. Nolobe claims that the only limit to this application’s transfer speed is the underlying speed of the hard drive and networking subsystems. I transferred a 700 MB AVI file from my desktop to a local FTP server over gigabit ethernet and it took 3:32s. The same file transferred using CuteFTP Mac Pro took only 2:24s.

Iris is Nolobe’s entry into the graphics market. Looking a bit like Photoshop Elements 3, the software promises to be light and fast with all the tools graphics artists need to get the job done. To bad it doesn’t. Iris looks good, but beyond that it is quite buggy and has several annoying habits. For example: all images are displayed full sized when opened. This is not an issue with most web images, but regularly deal with 10-12 Mpix files that are larger than my 30“ display. Other functions do not work as advertised and the software has a rather odd tendency to not follow established interface and ”do things it’s own way“. The complete absence of help files does not make things better. In conclusion, Interarchy has a rather good interface but its performance was not up to claims and Iris needs to be avoided at all costs.

Cool Rides

Vulcan Mean Streak Originally uploaded by Carlos Echenique Just started a gallery of really cool looking bikes and cars I've come across. I will update this blog entry whenever I add new rides to the collection. Cover photo is a stock Kawasaki Vulcan Mean Streak. This bike just screams 'badass'. It may only be outdone by the Suzuki Boulevard in my opinion. UPDATE: Added a Honda Goldwing Trike Conversion and a Jeep Wrangler 4 DR Custom to the gallery.

Nikon MX Rangefinder musings...

Rumors have been flying about the blogosphere regarding an earthshaking product introduction by Nikon. Nikon took out a half-page ad in Rangefinder Magazine about "Something Big" to be announced at the WPPI convention in February 2009.NikonRumors has been tracking this for quite a while and even Wired picked up on this. So far the rumors have Nikon introducing a new format sensor called MX. The MX sensor is 48 mm x 48 mm and has 40.7 megapixels. These pixels are the same size and pitch as the ones in the D3/D700 so the camera should have spectacular low-light capabilities. The sensor can be masked for portrait or landscaped images without having to rotate the camera. The camera will be able to mount DX and FX lenses with and adapter. Here are some observations and deductions I have made: 1. Nikon wants in on the lucrative MF/Wedding market and will lowball the competition severely. Phase One is currently offering a P45+ back for $29,990 and they are throwing in the rest of the camera kit (Body, Viewfinder, & 80mm Lens - an $11,000 value) for free. Rumors place the price of the MX in the sub $10k range. 2. The RF in this system will likely be a refined version of the ERF in the D700. If the MX uses a optical viewfinder, it may not couple with the focus mechanism (ie, will only be used for framing the image and will always be in focus) while the lens AF handles the actual focusing. If they take the path of EVIL (Electronic Viewfinder Interchangeable Lens), then they can simulate SLR-like framing, focus and composition in an RF style body. 3. It will likely be way smaller than current DMF systems. Especially if they use EVIL. 4. FX lenses will have a .5x magnification crop. Wides will be wider and and teles will be shorter. This will target the Alpa/Cambo/Horseman shooters who are looking for a smaller landscape/architecture rigs. The MX would offer superior features over those systems as they are all scale-focus cameras.

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UPDATE: Nikonrumors has posted another update. It looks like the MX (codename "Otoji") will be a mirrorless design. Here is the quote: The initial problem of the difference in flange register between both standards is addressed by the automatic repositioning of the focal plane of the sensor unit. The adjustment is made automatically when the adapter is mounted. The mirrorless design allows for adequate space to accomplish this while electronic masking ensures accuracy while still keeping the unit size very compact. The keywords here are:

automatic repositioning of the focal plane of the sensor unit when the adapter is mounted

mirrorless design

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UPDATE 2: Matt over at Nikonwatch has received the following anonymous tip: Dear Matt FYI: On speaking with Nikon [in country unnamed], this came to light with various questions - they already had development plans for a new Nikon digital rangefinder with approx 48mmx48mm size sensor inside it, tentatively called the “MX” format, the camera is not to dissimilar to the older film Mamiya 6 camera philosophy. The new camera will be backward compatible with DX and FX lenses (via mount adaptor), therefore the lens factor (based on using a FX lens) will be worked out like this: DX = 1.5x (Half frame) FX = 1.0x (Full frame) MX = 0.5x Custom format choice: When shooting in FX mode with this camera, you will be able to “rotate” the sensor crop from landscape to portrait rather than turn the camera as well as be able to shoot the full square resolution this camera provides. options for 5:4 etc will also be available. Viewfinder/Live View: For more critical cropping (like for still-life and macro work) you will be able to use the live view function for exact framing rather than the rangefinder component. Sensor: about 48 megapixels, similar to the Nikon D3 design. Lenses: New range of lenses required for the full MX format, zoom option available covering different ranges on different formats, lenses relatively compact for format size. Summary A relatively compact traditional “medium format-esque” camera in a new camera line that will be aimed at studio, portrait, landscape and wedding photographers needs, with a more affordable price point than present larger format digital backs. This will allow the continuation of the D line as the sports and news photographers choice, expanding on the D3 with an upgrade to a 24mp sensor (hopefully available for the D3 body!) and future plans for 60 frame rate video recording modes in future models. Please keep my name, email and location anonymous. This certainly fleshes out more details about this rumored camera. But several questions remained unanswered: How big will this camera be? Medium Format cameras are large and boxy due to their modular nature. Will this system be smaller than current MF offerings or will it be about the size of the old Mamiya 6? This brings up an interesting point: There is another, parallel rumor circulating that the "MX" moniker only means "modular" or "multi-format". So will this be a "classic" rangefinder or MF SLR style body or a mutant mirrorless design? I myself favor the mutant mirrorless version as this would allow Nikon to really shrink the body and still provide such goodies as TTL framing and focusing as well as electronic masking and would cut down on the mechanical complexity of the camera.